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Alan Ross
Member, Freestyle Advisory Board of Photographic Professionals

 

Biography

Alan Ross has earned an international reputation as a specialist in the art of black-and-white photography: as an artist, educator and printer. He was Ansel Adams' Photographic Assistant in Carmel from 1974 to 1979 and was integrally involved in Adams' books, teaching, and production of fine prints. He has been the exclusive printer of Ansel Adams' Yosemite Special Edition negatives for over twenty-eight years.

He operated a commercial photography studio in San Francisco for twelve years with projects ranging from world-wide campaigns for the Bank of America to landscape murals for the National Park Service. He relocated to Santa Fe in 1993 to devote more of his energies to his personal work, teaching, and assignment work for select clients, including Boeing, Nike, IBM, and MCI.

His photography hangs in collections and galleries throughout the country and internationally, and he has led workshops in locations from Yosemite to China.

In spite of his time spent with Ansel Adams and his ongoing involvement with Adams' work, Alan considers himself something of a Zone System heretic. It's perfectly all right to make your own rules, and the Zone System is not the Zen System. And neither are for everyone!

Alan regards himself as a classicist with regard to his photographic approach, but not a purist. His work in the last twenty years has been mostly with an 8x10 view camera but he has no philosophical objection to a digital "point-and-shoot" camera. He has one and likes it very much. The 8x10 is getting bigger and heavier every day.

He used to object to being pigeonholed as a Landscape Photographer, when the truth was that he liked photographing all sorts of things. Since his hair started to fall out he's mellowed a bit and he doesn't mind being called a Landscape Photographer because he still photographs whatever he wants - it's just that he's encountered a number of landscapes that needed photographing!


Articles

My Favorite Filter

I think the thing I like most about working in black-and-white is the fact that it's much more an expression of how I feel about a subject than a representation of "reality," as is so often the case with color photography. The world doesn't exist in Black-and-White (my mother told me that...) so a B&W image is by its very nature an abstraction of the things we see.....full article

Website

If you wish to visit Mr. Ross's website, please visit: http://www.alanrossphotography.com

Ask the Experts

To ask Mr. Ross a question please fill out the form below. The most popular questions and answers will be posted on this page.

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Ask the Expert Question/Answer

Question:

Dear Alan, Something has been a source of confusion to me for years that perhaps you can help me with - Variable contrast papers and cold light color. I have replaced my cold light tube with the Aristo V54a cyan color light. Here are my questions: Do I have to use any kind of filter with this light source before the light enters my vc filters, which are below the lens? Someone told me that I needed a yellow filter. Before the VC Filter. What is the best way to deal with graded papers? Is any filtration required on the V54? Thank You, Dan

Answer:

Hi Dan, First - you don't need to use any "correction" filter with the V54 tube. VC papers are sensitive to blue and green light - with green activating the "soft" contrast and blue activating the "hard". Since the V54 is slightly blue-heavy, it p...full answer

Question:

What is the story with storing film in the refrigerator? Does this actually prolong the life of the film? Thank you

Answer:

Hi Alan, All chemical reactions proceed at a slower pace at lower temperatures. Film deterioration is a sort of chemical reaction, so in theory, cooler is always better. In practice, modern BW films are quite stable, and unless you live in a tent ...full answer

 

 

   
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