The World of Inkjet Papers
Comparison Chart

A double-sided, matte finish, wood fiber paper with a premier inkjet coating which is both pigment and dye printers, making it ideal for handling high resolution printing. Dries instantly, is water-resistant, 100% acid and lignin free. A great inexpensive choice for wedding albums, portfolios and gift cards. No need to change you Epson settings.

Contains OBAs. Matte papers can have a dull appearance until placed under glass.

A 100% Cotton Rag Fine-Art inkjet paper with equivalent archival permanence and smooth matte surface texture as other major fine art brands on the market. A pure bright white base color combined with thick cotton rag makes this double sided paper a great choice for wedding albums, portfolios and greeting cards. Economically priced and eco-friendly, it is made from reclaimed cotton that would have been discarded in a landfill if it had not been made in to inkjet paper.

Contains OBAs, but is a good choice when a pure white base is necessary. Matte papers can have a dull appearance until placed under glass.

A 100% Cotton Rag Fine-Art inkjet paper with equivalent archival permanence and smooth matte surface texture as other major fine art brands on the market. A pure bright white base color combined with thick cotton rag makes this double sided paper a great choice for wedding albums, portfolios and greeting cards. Economically priced and eco-friendly, it is made from reclaimed cotton that would have been discarded in a landfill if it had not been made in to inkjet paper.

Contains OBAs, but is a good choice when a pure white base is necessary. Matte papers can have a dull appearance until placed under glass.

A 100% Cotton Rag Fine-Art inkjet paper with equivalent archival permanence and smooth matte surface texture as other major fine art brands on the market. A pure bright white base color combined with thick cotton rag makes this double sided paper a great choice for wedding albums, portfolios and greeting cards. Economically priced and eco-friendly, it is made from reclaimed cotton that would have been discarded in a landfill if it had not been made in to inkjet paper.

Cream base color will affect your white/bright point. Matte papers can have a dull appearance until placed under glass.

A 100% Cotton Rag Fine-Art inkjet paper with equivalent archival permanence and smooth matte surface texture as other major fine art brands on the market. A pure bright white base color combined with thick cotton rag makes this double sided paper a great choice for wedding albums, portfolios and greeting cards. Economically priced and eco-friendly, it is made from reclaimed cotton that would have been discarded in a landfill if it had not been made in to inkjet paper.

Cream base color will affect your white/bright point. Matte papers can have a dull appearance until placed under glass.

An inkjet transparency replacement for Ortho Litho type films used in historical photographic process techniques to create contact negatives. Also used to produce high quality slides when used with an overhead projector. An excellent media for perfect digital negatives.

After printing, must dry thoroughly before use. Do not put emulsion side down on paper or other porous material to dry as humidity can affect uniform drying of all OHP films. Susceptible to fingerprints and scratches.

Offers excellent quality and consistency at an affordable price. A standard photographic inkjet paper designed to duplicate the look and feel of a traditional glossy (Kodak F surface) color darkroom print. Its smooth, reflective surface adds pop and saturation to photographic images. This paper is compatible with most inkjet printers and ink types on the market. No need to change you Epson settings.

Glossy papers are susceptible to showing fingerprints and scratches.

Offers excellent quality and consistency at an affordable price. A standard photographic inkjet paper designed to duplicate the look and feel of a traditional luster (Kodak E surface) color darkroom print. Its slightly textured non-reflective surface gives a look of richness and dimension. This paper is compatible with most inkjet printers and ink types on the market. No need to change you Epson settings.

Luster papers are less susceptible to showing fingerprints and scratches.

Offers the same surface, thickness and feel as Arista-II Photograde RC Glossy but with a metallic layer between paper base and emulsion, rendering truly sparkling highlights and realistic representations of metallic subject matter. It is also excellent for portrait, still life, product, fashion and sports photography or any subject that needs that extra punch! No need to change you Epson settings.

Photograde RC Glossy has excellent quality and consistency at an affordable price. However, Glossy surface is susceptible to showing fingerprints and scratches.

Offers the same surface, thickness and feel as Arista-II Photograde RC Lustre but with a metallic layer between paper base and emulsion, rendering truly sparkling highlights and realistic representations of metallic subject matter. It is also excellent for portrait, still life, product, fashion and sports photography or any subject that needs that extra punch! No need to change you Epson settings.

Has grayish base as compared to standard RC photograde inkjet papers. Lustre paper are less susceptible to showing fingerprints and scratches.

A polyester/cotton blend canvas, especially good for stretching due to its flexibility and usually presented on stretcher bars like a traditional painting. A popular media used for portrait, still life, art reproduction and pictorial photography. Various surface textures can be achieved by applying different surface coatings/varnishes such as Glossy, Satin, Matte or Oil Paint Texture.

Must coat or varnish after a 24 hour dry time, as images on canvas media can yellow, crack and peel over time and are very susceptible to airborne contaminants.

A beautifully soft to the touch paper made of 70% bamboo fiber. The understated tonality and organic quality of this paper can bring unusual life to your images. Also coated both sides for use in books, portfolios and albums. One of the many unique and transformational paper offerings from Awagami.

A very unusual paper for use with just the right image. Choose your image wisely. Image tones are soft and organic, not bright and loud.

A beautifully soft to the touch paper made of 70% bamboo fiber. The understated tonality and organic quality of this paper can bring unusual life to your images. Also coated both sides for use in books, portfolios and albums. One of the many unique and transformational paper offerings from Awagami.

A very unusual paper for use with just the right image. Choose your image wisely. Image tones are soft and organic, not bright and loud.

A fully handmade sheet of paper with four deckle edges! Extraordinary look and feel with soft but rough textured natural cream colored base. Yields a very unique color pallet. Print on this paper for a totally distinctive look. Definitely a paper for very special imagery. One of the many unique and transformational paper offerings from Awagami. Ideally suited for monochrome images.

A very unusual paper for use with just the right image. Choose your image wisely. Image tones are soft and organic, not bright and loud. Attach to a feeder sheet for easier edge to edge printing.

A fully handmade sheet of paper with four deckle edges! Extraordinary look and feel with soft but rough textured natural cream colored base. Yields a very unique color pallet. Print on this paper for a totally distinctive look. Definitely a paper for very special imagery. One of the many unique and transformational paper offerings from Awagami. Ideally suited for monochrome images.

A very unusual paper for use with just the right image. Choose your image wisely. Image tones are soft and organic, not bright and loud. Attach to a feeder sheet for easier edge to edge printing.

Very soft to the touch, almost magical image quality that will transform your photos into unbelievable pieces of artwork. A whiter base than Kozo Natural with an even softer quality to the touch. Being made of Kozo mulberry fibers it is quite durable and strong. One of the many unique and transformational paper offerings from Awagami.

A very unusual paper for use with just the right image. Choose your image wisely. Image tones are soft and organic, not bright and loud.

Very soft to the touch, almost magical image quality that will transform your photos into unbelievable pieces of artwork. A whiter base than Kozo Natural with an even softer quality to the touch. Being made of Kozo mulberry fibers it is quite durable and strong. Can be backlit for an unusual presentation. The sheer quality of the paper needs to be felt to be believed. One of the many unique and transformational paper offerings from Awagami.

A very unusual paper for use with just the right image. Choose your image wisely. Image tones are soft and organic, not bright and loud.

A very warm and thin paper base reminiscent of antique paper. Feels very soft to the touch but being made of Kozo mulberry fibers is quite durable and strong. Can be printed as is or the top layer made of Kozo can be peeled from the wood pulp backing. Create an image on a very strong paper with the consistency of tissue paper! Can be backlit for an unusual presentation. The sheer quality of the paper needs to be felt to be believed. Originally designed for reproducing the historical legacy of Japanese scroll paintings. One of the many unique and transformational paper offerings from Awagami.

A very unusual paper for use with just the right image. Choose your image wisely. Image tones are soft and organic, not bright and loud.

A very warm and thin paper base reminiscent of antique paper. Feels very soft to the touch but being made of Kozo mulberry fibers is quite durable and strong. Can easily be backlit for an unusual presentation. The sheer quality of the paper needs to be felt to be believed. One of the many unique and transformational paper offerings from Awagami.

The very warm base creates a distinctive color pallet. A very unusual paper for use with just the right image. Choose your image wisely. Image tones are soft and organic, not bright and loud.

Extra thick version of this extraordinary paper. It has a soft classic look with distinctive cloud like pattern of Kozo fibers. With a traditional Japanese look, this is a paper where you can include the random texture of the paper into the composition of your photo. Think negative space! One of the many unique and transformational paper offerings from Awagami.

A very unusual paper for use with just the right image. Choose your image wisely. Image tones are soft and organic, not bright and loud.

A fully handmade sheet of paper with four feathered deckle edges! Each piece of paper has a slightly different but distinctive deckle. Extraordinary look and feel with soft but rough textured white base. Print on this paper for a totally distinctive look. One of the many unique and transformational paper offerings from Awagami.

Only available in postcard size. A very unusual paper for use with just the right image. Choose your image wisely. Image tones are soft and organic, not bright and loud. Attach to a feeder sheet for easier edge to edge printing.

The world’s number one mould-made watercolor paper. This genuine 100% rag, watercolor paper possesses the unique structure, surface texture and warm white tone that demanding artists expect from a traditional fine art paper. This paper complies with the highest archival standards and is extremely age resistant. Aquarelle Rag gives a unique and unrivalled character to fine art reproduction of traditional artwork and photographs. The rough surface texture can actually add sharpness to images where texture is present. Out of focus areas take on the personality of a watercolor painting.

The heavy texture can interfere with areas of smooth tonality. It is a great paper for just the right image, so choose your image carefully.

The world’s number one mould-made watercolor paper. This genuine 100% rag, watercolor paper possesses the unique structure, surface texture and warm white tone that demanding artists expect from a traditional fine art paper. This paper complies with the highest archival standards and is extremely age resistant. Aquarelle Rag gives a unique and unrivalled character to fine art reproduction of traditional artwork and photographs. The rough surface texture can actually add sharpness to images where texture is present. Out of focus areas take on the personality of a watercolor painting.

The heavy texture can interfere with areas of smooth tonality. It is a great paper for just the right image, so choose your image carefully.

A very smooth semi-gloss surface texture, a bright white point due to the use of barium sulfate as a natural optical brightening agent, and a buffering agent for increased archival permanence. Designed to have a similar look and feel as an air-dried, museum quality, black and white silver gelatin, fiber-base print. Features archival permanence, color gamut and D-max which meet or exceed the standard for papers in its class. Very consistent manufacturing makes this paper an excellent choice for both color and black and white printing.

Has stiffer more mass produced feel than other papers in Canson Infinity product line. Not compatible with dye ink based printers.

The world’s number one mould-made traditional printmaking paper, with more than 500 years of history. B F K Rives has a unique pure white tone obtained without the use of OBAs and has a very specific smooth and velvety texture. It adds a sense of personality and pride to the piece. Ideal for fine art prints and photographs.

Has a softer feel than its photo rag type paper cousin Canson Rag Photographique. Matte papers can have a dull appearance until placed under glass.

Slight textured matte surface, 100% cotton rag paper of historical significance. Has more texture and character than a typical Photo Rag type product but less texture than a rough watercolor paper. Excellent image quality and color gamut. Has very white base without the use of OBAs. An excellent paper for a distinctive look at an affordable price.

Matte papers can have a dull appearance until placed under glass.

A consistent standard quality photographic inkjet paper designed to duplicate the look and feel of a traditional glossy (Kodak F surface) color darkroom print. Thicker than other brand RC products, yet it retains an affordable price. Its smooth, reflective surface adds pop and saturation to photographic images. This paper is compatible with most inkjet printers and ink types on the market.

Glossy papers are susceptible to showing fingerprints and scratches.

A consistent standard quality photographic inkjet paper designed to duplicate the look and feel of a traditional luster (Kodak N surface) color darkroom print. Thicker than other brand RC products, yet it retains an affordable price. This very slightly textured non-reflective surface spreads photo black ink very evenly. Compatible with most inkjet printers and ink types on market.

Satin surface papers are susceptible to showing fingerprints and scratches.

This slightly textured semi-gloss surface has a white base without the use of OBAs. Features archival permanence, color gamut and D-max which meet or exceed the standard for inkjet papers…period. Very consistent in manufacturing quality and is available in roll width size up to 60 inches. Platine is a paper of historical significance and has been used by fine artists in its un-coated form for hundreds of years. (It is the preferred paper for historical platinum/palladium printing.) An excellent choice for both color and black and white printing.

Has a softer feel than its alpha-cellulose cousin Canson Baryta. Semi-gloss papers are susceptible to showing fingerprints and scratches.

Excellent quality and consistency, ultra glossy resin coated photographic inkjet paper is heavier in weight than other brand products. Its ultra white surface is very smooth and highly reflective offering stunning colors and deep blacks. Compatible with most inkjet printers and ink types on market.

Priced higher than other Photograde RC papers but you are paying for a unique surface and thickness that many find worthy. Glossy papers are susceptible to showing fingerprints and scratches.

Achieves a very smooth matte surface texture and unusually bright white point for a paper that does not incorporate OBAs. Features archival permanence, color gamut and Dmax which meet or exceed the standard for inkjet papers in its class. This 100% cotton rag, modern, machine-made paper is consistent in its manufacturing quality and excellent performance.

Matte papers can have a dull appearance until placed under glass.

Achieves a very smooth matte surface texture and unusually bright white point for a paper that does not incorporate OBAs. Features archival permanence, color gamut and Dmax which meet or exceed the standard for inkjet papers in its class. This 100% cotton rag, modern, machine-made paper is consistent in its manufacturing quality and excellent performance.

Matte papers can have a dull appearance until placed under glass.

A standard photographic inkjet paper designed to duplicate the look and feel of a traditional glossy (Kodak F surface) color darkroom print. A very popular choice for most photographic inkjet printing with a smooth, reflective surface. Compatible with most inkjet printers and ink types on the market. Glossy finish adds pop and saturation to images.

Glossy papers are susceptible to showing fingerprints and scratches.

For those seeking a very inexpensive paper with an ultra smooth flat matte surface. Good for color and black and white photos.

The thin base and mass produced feel make this paper a good general purpose product but not necessarily for professional photographic prints. Matte papers can have a dull appearance until placed under glass.

A standard photographic inkjet paper designed to duplicate the look and feel of a traditional glossy (Kodak F surface) color darkroom print. A very popular choice for most photographic inkjet printing with a smooth, reflective surface. Compatible with most inkjet printers and ink types on the market. Glossy finish adds pop and saturation to images.

Glossy papers are susceptible to showing fingerprints and scratches.

A standard photographic inkjet paper designed to duplicate the look and feel of a traditional luster (Kodak E surface) color darkroom print. A very popular choice for most photographic inkjet printing with a slightly textured non-reflective surface. Excellent quality and consistency. Compatible with most inkjet printers and ink types on the market.

Luster papers are less susceptible to showing fingerprints and scratches.

A very inexpensive paper with an ultra smooth flat matte surface. Good for color and black and white photos. Slightly thicker than premium presentation matte.

The thin base and mass produced feel make this paper a good general purpose product but not necessarily for professional photographic prints. Matte papers can have a dull appearance until placed under glass.

Epson's first 100% Cotton Rag, buffered, acid-free, fine-art paper with the same inkjet coating as Ultra Premium Photo Paper Matte.

Uses OBAs and there are other more affordable fine art papers with similar characteristics available. Matte papers can have a dull appearance until placed under glass.

The world's first digital fine art inkjet paper made from bamboo fibers. Bamboo represents spirituality, naturalness and resource-saving paper production. Particularly suitable for warm-toned color and monochrome prints, Bamboo really highlights the sensuality of images. Made of 90% bamboo and 10% cotton fiber.

Natural base color will affect your white/bright point. It is a great paper for just the right image, so choose your image carefully. All matte papers can have a dull appearance until placed under glass.

A very bright-white, alpha cellulose based inkjet paper with the feel of a genuine art paper. The unique pearl surface is particularly attractive to those desiring a slight texture without the reflectivity of a high gloss paper.

Uses moderate OBAs. Pearl surface papers are susceptible to showing fingerprints and scratches.

Heavyweight, distinctively rough textured, 100% alpha cellulose etching type paper. Warm, natural white base tone. Very popular for warm tone images with a lot of texture.

Contains optical brighteners (OBAs) which is interesting for a paper with a warm base tone.

The paper that established the market standard by which all photo rag type papers are measured Characterized as a professional, modern, machine-made, white, 100% cotton rag paper with a very smooth surface texture made to archival standards. With its premium matte inkjet coating Photo Rag® meets the highest industry specifications regarding stability, density, color gamut, color graduation and image sharpness while preserving the special touch and feel of genuine art paper. Very consistent manufacturing.

Contains low quantities of OBAs to insure base tone consistency and white point. Matte papers can have a dull appearance until placed under glass.

Slight textured semi-gloss, 100% cotton rag paper designed to have a similar look as traditional black and white photo paper. Contains some baryta so while it technically does not have a chemical optical brightener, baryta is a natural optical brightener. A popular paper for both black and white and color inkjet reproduction.

Base is a bit warm which is not necessarily a bad thing. Not as bright white as a typical baryta paper.

Very smooth matte surface with very bright white 100% cotton base. Excellent for use when a high white point is desired. Also, great for high contrast images.

Contains optical brighteners (OBAs).

Smooth, uniform pearl surface on a 100% cotton natural white base. Does not contain optical brighteners.

Very warm, but beautiful base tone.

Characterized as a professional, modern, machine-made, white, 100% cotton rag paper with a very smooth surface texture. With its premium matte inkjet coating Photo Rag® meets the highest industry standards regarding stability, density, color gamut, color graduation and image sharpness while preserving the special touch and feel of genuine art paper. Very consistent manufacturing. Use when a smoother surface finish and brighter white point are desired as opposed to traditional photo rag type papers.

Uses moderate quantities of optical brighteners to insure base tone consistency and white point. Matte papers can have a dull appearance until placed under glass.

William Turner is a genuine mould-made paper with a matte watercolor texture. It is ideal for reproductions of traditional artworks and also for striking and expressive photo reproductions. The texture is very rough but somehow powdery to the touch. A very unique paper tone and surface perfect for images that include both warmth and texture. Contains no optical brighteners. Establishes very personal statement.

The powdery texture has a tendency to scuff, rub or fleck in areas of high density. Use care in handling this product. It is a great paper for just the right image, so choose your image carefully.

William Turner is a genuine mould-made paper with a matte watercolor texture. It is ideal for reproductions of traditional artworks and also for striking and expressive photo reproductions. The texture is very rough but somehow powdery to the touch. A very unique paper tone and surface perfect for images that include both warmth and texture. Contains no optical brighteners. Establishes very personal statement.

The powdery texture has a tendency to scuff, rub or fleck in areas of high density. Use care in handling this product. It is a great paper for just the right image, so choose your image carefully.

A standard photographic inkjet paper designed to duplicate the look and feel of a traditional glossy (Kodak F surface) color darkroom print. It's a very popular choice for most photographic inkjet printing with a smooth, reflective surface. Compatible with most inkjet printers and ink types on the market. Glossy finish adds pop and saturation to images. High image quality is consistent with heritage and the level of innovation that has been expected from the Ilford brand.

Glossy papers are susceptible to showing fingerprints and scratches.

A standard photographic inkjet paper designed to duplicate the look and feel of a traditional luster (Kodak E surface) color darkroom print. It's a very popular choice for most photographic inkjet printing with a slightly textured non-reflective surface. Compatible with most inkjet printers and ink types on the market. High image quality is consistent with heritage and the level of innovation that has been expected from the Ilford brand.

Luster papers are less susceptible to showing fingerprints and scratches.

Mould-made, bright white, double-sided, alpha-cellulose base inkjet paper perfect for use for wedding albums, postcards, calendars. The very high alpha-cellulose content gives this paper a cotton paper feel. Images on this paper can draw out sharp, crisp details. Very smooth, white surface.

Contains optical brighteners (OBAs).

Mould-made, bright white, double-sided, alpha cellulose base inkjet paper perfect for use for wedding albums, postcards, calendars. The very high alpha cellulose content gives this paper a cotton paper feel. Images on this paper can draw out sharp, crisp details. Rough textured, white surface.

Contains optical brighteners (OBAs).

Mould-made, 100% cotton rag paper without optical brighteners. Smooth (very slight textured), natural white, matte paper with an extra heavy weight feel. Exceptional sharpness and dynamic range.

Matte papers can have a dull appearance until placed under glass.

Mould-made, 100% cotton rag paper without optical brighteners. Rough textured, natural white, matte paper with an extra heavyweight feel. Exceptional sharpness and dynamic range for such a textured paper.

Matte papers can have a dull appearance until placed under glass.

Features an inkjet layer coated directly onto a true baryta (barium sulfate) layer and fiber base to produce images with exceptional gamut for vivid color reproduction as well as creamy whites and velvety blacks for the unique look of traditional silver halide photo paper. Creates high definition images with an extended tonal range and excellent archival properties making it a must for exhibition quality prints.

Glossy papers are susceptible to showing fingerprints and scratches.

The first inkjet paper specifically formulated for black and white inkjet reproduction. Special attention has been given to the white point, D-max, contrast and transition between shadows and highlights to match as closely as possible the look and feel of a fine art black and white traditional photographic paper. The paper weight and surface are definitely reminiscent of traditional photographic paper. While it is being marketed as a dedicated black and white inkjet paper, it also produces stunning color images and is a perfect partner for the already popular Ilford Galerie Prestige Gold Fiber Silk.

Contains optical brighteners (OBAs).

A standard photographic inkjet paper designed to duplicate the look and feel of a traditional luster (Kodak E surface) color darkroom print on a heavier weight 280 gsm base. A very popular choice for most photographic inkjet printing with a slightly textured non-reflective surface on both sides. Compatible with most inkjet printers and ink types on the market. High image quality is consistent with heritage and the level of innovation that has been expected from the Ilford brand.

Luster papers are less susceptible to showing fingerprints and scratches.

A standard photographic inkjet paper designed to duplicate the look and feel of a traditional glossy (Kodak F surface) color darkroom print on an extra heavy weight 310 gsm base. A very popular choice for most photographic inkjet printing with a smooth, reflective surface. Compatible with most inkjet printers and ink types on the market. Glossy finish adds pop and saturation to images. High image quality is consistent with heritage and the level of innovation that has been expected from the Ilford brand.

Costs more than other Photograde RC papers but you are paying for a unique surface and thickness that many find is worth the extra price. Glossy papers are susceptible to showing fingerprints and scratches.

A standard photographic inkjet paper designed to duplicate the look and feel of a traditional luster (Kodak E surface) color darkroom print on an extra heavy weight 310 gsm base. A very popular choice for most photographic inkjet printing with a slightly textured non-reflective surface. Compatible with most inkjet printers and ink types on the market. High image quality is consistent with heritage and the level of innovation that has been expected from the Ilford brand.

Luster papers are less susceptible to showing fingerprints and scratches.

An ultra glossy surface on a unique polyester white film base creating the look of a metallic media. The dimensionally stable, tear and crease resistant base is coated with a proprietary inkjet receiving layer offering a broad color gamut, instant drying and vibrant colors with real depth. Images printed on this paper have a very different look than typical RC prints with excellent "pop" factor.

Polyester feels strange (thin and stiff) to the touch as opposed to typical RC. Glossy papers are susceptible to showing fingerprints and scratches.

Double-sided inkjet coating so there is no guessing as to which side to print on. Excellent for portfolios, books, gift cards and anytime a double-sided paper is needed. Has a beautiful soft surface texture. This 100% cotton rag, modern, machine-made paper is an excellent performer.

Uses OBAs. Matte papers can have a dull appearance until placed under glass.

Double-sided inkjet coating so there is no guessing as to which side to print on. Excellent for portfolios, books, gift cards and anytime a double-sided paper is needed. Has a beautiful soft surface texture. This 100% cotton rag, modern, machine-made paper is an excellent performer.

Uses OBAs. Matte papers can have a dull appearance until placed under glass.

Double-sided inkjet coating so there is no guessing as to which side to print on. Excellent for portfolios, books, gift cards and anytime a double-sided paper is needed. Has a beautiful soft surface texture. This 100% cotton rag, modern, machine-made paper is an excellent performer and contains no OBAs.

Matte papers can have a dull appearance until placed under glass.

Double-sided inkjet coating so there is no guessing as to which side to print on. Excellent for portfolios, books, gift cards and anytime a double-sided paper is needed. Has a beautiful soft surface texture. This 100% cotton rag, modern, machine-made paper is an excellent performer and contains no OBAs.

Matte papers can have a dull appearance until placed under glass.

A nice smooth surface with slight surface texture and a natural white base tone, similar to other photo rag type papers. This 100% cotton rag, modern, machine-made paper is an excellent performer and contains no OBAs.

Velina surface is less susceptible to showing fingerprints and scratches.

A nice smooth surface and natural white base tone, similar to other photo rag type papers. This 100% cotton rag, modern, machine-made paper is an excellent performer and contains no OBAs.

Matte papers can have a dull appearance until placed under glass.

One of the first papers on the market that attempted to capture the look and feel of a traditional black and white fiber based print. It uses no optical brighteners and has a warm image base tone.

Silver Rag has had some changes in the base and this product is warmer in the base tone compared to this product in the past. Semigloss papers are less susceptible to showing fingerprints and scratches.